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In the first Essay we have already mentioned the technique of modifying the fragments of the computer sound line, which S. Filatov-Beckman proposes to implement. Let's get back to the computer line. How are the sound line fragments modified, what methods should be used for the original fragments to acquire a new quality? The scientist has already prepared the theoretical basis for answering these questions. But for the practical acquaintance of students with a variety of techniques, Sergei Anatolyevich decided to organize a master class, in which the professional composer Elena Sokolovski, who was well acquainted with the methodology of S. Filatov-Beckman, took part. Several such meetings took place at S. Filatov-Beckman's home, and different groups of students mastered this technique over the course of a number of years. The method of modifying a sound computer line became the second stage of work on mathematical music.
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Category ID: 22
A series of these essays on the phenomenon called “Mathematical Music”, created by the scientist Sergey Filatov-Beckman, was prepared by Professor of the Moscow Conservatory, Doctor of Art History Marina Skrebkova-Filatova, a member of the Union of Moscow Composers Elena Sokolovski and friends of S. Filatov-Beckman, musicologists L. and S. Gartman (Germany).
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